Their work in front of my bed posed writer Jean-Michel OhmyNews articles auto Nile Plato http://bit.ly/nfCfru Samsung Museum joha Thurs, September 8 to November 27 (Sunday) joha to represent France The world-renowned contemporary artist Jean-Michel auto Nile (Jean-Michel Othoniel) retrospective 'My Way (My Way) "is opened. The exhibition has been successfully held in March 2011 followed by France before the Pompidou Centre's first exhibition in the world Traveling Exhibition, Seoul, Samsung Museum joha of Art in Tokyo's Hara Museum of Contemporary Art since Plato, and the Brooklyn Museum of Art in the summer of 2012 in New York plans to tour. Installed at the entrance to the Louvre Museum in Paris metro station made from glass beads cover the crown-shaped sculpture <'m issuer of the kiosk> (2000), also known as the general public auto Nile (1964, born in Saint-Etienne joha in France) is a major art zeitgeist unlike the last 25 years leaving the streets, reflecting their own personal life has been in pursuit of modeling world.
'Lacan's Knot (Lacans' Knot)' 150 * 135 * 50cm mirror glass, metal 2009 keen sensitivity to mourn the loss and destruction of sulfur, wax, glass, and strain joha through a variety of materials and aversion to revealing the beauty of the body of work was developed. Instead of depression, especially in a tragic sensibility of comfort joha and beauty of this sublime artist by modern audiences have forgotten that leads into a world of fantasy. Exhibition title of 'My Way' is meant as a little-known exhibition in Korea from 1980 chogijak to recent large-scale glass installation work generally encompasses the artist's artistic achievements will be a precious opportunity. In particular, the ongoing journey of artistic nourishment obtained through chance encounters writer's life journey as a photo archive, presenting joha the audience directly involved in this work 'make a wish on the wall' by installing an intimate exchange between artists joha and audiences enjoy will be able to see. Jean-Michel's art world, the auto Nile
"My bed (My Bed) '290 * 240 * 190cm Murano glass, steel, joha aluminum, soft-furnishings, felt 2003 Jean-Michel 20 daeyeotdeon auto Nile 9th 1992 Kassel Documenta already receiving attention as a writer joha began inviting in 1994, the Pompidou Centre 'Feminin / Masculin' ago, in 1997 Permanent joha Peggy Guggenheim Collection in Venice, the Louvre in Paris Palais ruwayal 2000 (Palais-Royal) History of the 100th anniversary of the subway station and the world-renowned project in France representative writer. Auto Nile art world of contemporary art is to form the two mainstream debate away from formalism and concepts rather wide attention through the media, creative arts building the world. His work is beautiful molding characteristics of the glass and the popular media, often due to popular commercial writer often disparaged, but its genus bodeumeo endured the pain and hurt out how autobiographical his life as a writer serious subject matter that reflects a deep sympathy from the audience by nested leads.
'Diary of Happiness (Diary of Happiness)' 206 * 348 * 33cm Murano glass, lacquered wood 2008 Auto Nile The exhibition starts with the secret and surprising chogijak poetic imagination that leads the audience into a world of fantasy. His autobiographical work based on the experience and the trauma of sulfur, phosphorus, wax, glass and like to experiment with unpredictable on sensitive materials to be characterized. 'Transformation' of these materials, which can be defined for the media attention reflects the unique auto Nile, like a caterpillar becoming a butterfly unbearable as a way to escape from the world presented. This unique and rare materials joha nipple, holes, lips or eyes, as mentioned by the hole in the body, the body of the artist in the 1990s, such as the context of the discourse and debate on gender identity notyimyeonseo also allows the audience to experience the artist as a human being The time had to be patient and sympathetic to the pain. The beauty of the material and aversion cheonchak switch between the two sides of life, the world of the mainstream art world, his work on the conceptual and formal distance-based joha lineage and can be said to be a private area of the myth. The boundaries between the natural and organic joha world pokes constantly challenge the limits of the genre since the mid-1990s on the artist who had the strength and weakness of the glass to discover the infinite possibilities of color and art, and a piece of glass from which a new monument over properties characteristics is realized. Closely related to physical and architectural ornaments scale modeling approach is extended to his successor, it is at the same time the history of surrealism and pop culture references as well.
'Hung lovers (The Hanging Lovers)' 80 * 15 * 15cm 1999. 'Black joha heart red tears', 2007 (back) was indifferent, especially modern art history by restoring the fantasy world of beauty and the richness of visual areas that can be evaluated to carve be. Nile Auto he built a fantasy world of magic and that "putting the magic back to the world as an artist, I want a lot of insight into the basis of the survivors break down in the natural beauty of a tragic moment, the truth of the material, joha such as feelings of wonder or I want to find the basic things, "he says. In particular, the Louvre Museum, this exhibition, which also exhibits the Alhambra auto Nile, etc. made of glass works of architectural space with natural light in Plato's glass pavilion will offer a different experience from viewing. In addition, the grandeur and misery that human subjects dealing with conflicting Rodin's "Gates of Hell," the citizens of Calais "and the poetic dialogue in the work of the Nile flowing through the auto 'body and the linkages', 'be free law', joha 'Love of mourning "will be understood joha more intensely. [South Korea Greeting the audience - the audience you, your dear party, "and the artist is also entered into the gates of hell to find that person is beautiful and wonderful"
"My bed (My Bed) '290 * 240 * 190cm Murano glass, steel, aluminum, soft-furnishings, felt 2003 first Plato' My Way I 'planning haejusin appreciate Samsung Museum Planetarium, hongrahui boss and Deputy General hongrayoung s, and research siljangnim ansoyeon including Plato, difficult and complex installation process that enables stakeholders haejusin Thank you to all the exhibition planning. We are from the French National Museum of Modern Art in 2009, Alfred Park with network boss and this touring retrospective exhibition curator Catherine geureunie been prepared. The exhibition galleries of Paris and the French Cultural joha Center and the Tang Emmanuel Faroe Seoul branch of the Council realized this would not have been possible without a sponsor. [...] When the first came to Korea, I want to know as soon as this country was aroused, for the exhibition to find out soon, but you see, the young priest is a topic often comes up in my work, and even the foundation of my work activities subject joha because it is. Thus, Korea Although joha Korea experienced a few times in my work and how to assess joha whether the public are very curious. Plato me is 'My Way before' joha serving in Asia and the United States, and the first large-scale solo exhibition in 2012, the Brooklyn Museum of Art New York, Tokyo, Hara Museum of Art will last through the journey you will end up. 'My Way before "date from the end of 1980, the evolution of my work is showing joha a retrospective. Ansoyeon joha curator and architecture with an emphasis on Plato's exhibition space was envisioned. The most recent works in this exhibition are from the exhibition begins and until now there was little that was even more well-represented. In particular, double the 'make a wish on the wall "is an important work individually, in several countries between 1995 and 1997, the works on display. The large size of the sulfur coating is abstraction, which is attached to a matchbox, matchstick to draw an audience of five thousand fire wall works by attaching to the wall of the huge bruised.
'Robe (Priest Robe)' 170 * 80 * 40cm 1986 How many years obsessed with this subject and talk to each other to show that, between the exhibition of the works of other times to be able to communicate with each other has been placed. What are the early works of later works have a bond with, and how previous work that you have recently used to predict the theme will be found. 'My way' exhibition shown in my work today beauty will show where you are coming from, my self-portrait in the series, that can be configured. Returning back to the glass pavilion, where my work is to clarify the two key themes. The first advantage of the importance of space and light, and the second is the relationship between history and culture. Modern engraver and sculptor Rodin to influential contemporary artists as one of the tough and the men down to his work and other activities that occupy the area.
'Untitled (Untitled)' 25.5 * 11 * 12cm flabbergasted Murano 1997 'My way' is a poetic and fragile exhibits to reveal my choice, my own story and personal journey joha while at the same time talking about other people and the world. joha Louise Bourgeois, "I went to hell, where he came back from that experience has been very good," he said. Rodin's Gates of Hell, and a second entrance for the display really is a wonderful experience for your audience you hope to come back. L'exposition joha MY WAY dévoilé mes choix poétiques et fragiles. Cette exposition est un voyage personnel ou en parlant de moi, je parle du monde et des autres. Mon travail peut être lu comme un voyage d'Orphlée joha contemporain. Louise Bourgeois a écrit "Je suis allé en enfer, j'en suis revenu, joha et bien laissez moi vous dire que c'était magnifique", cette la porte de l'enfer est donc
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